Īn extraordinary feature of the painting is the deformity of the man's nose, evidence of rhinophyma. While the composition is thematically related to portraiture from the Netherlands, by the mid-15th century the motif of a portrait in an interior with a landscape seen in the distance was common in Italy. The poignancy of the image is dramatized by the contrast between the man's weathered and wise face, and the child's delicate profile. It is possible that the painting was commemorative in purpose, and that the child was a narrative invention intended to emphasize the man's beneficence. Although the man's fur-lined robe and cappuccio and the boy's elegant doublet and cap indicate a noble heritage, and despite the traditional assumption that the subjects are grandfather and grandson, their identities are unknown. Behind them at right is a window through which can be seen a generalized landscape, its uneven terrain and winding roads typical of Ghirlandaio's backgrounds. They sit in an interior, illuminated against a darkened wall. The picture portrays an older man in a red robe, embracing a young child who is also wearing red. Its realism has been described as unique among the portraits of the Quattrocento. One of Ghirlandaio's best-known works, it is considered notable for its emotional poignancy.
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1490 tempera painting by the Italian Renaissance artist Domenico Ghirlandaio. An Old Man and his Grandson ( Italian: Ritratto di vecchio con nipote) is a ca.